“I’ve been told I have a photographic memory. I’m not sure that such a condition exists, but it is true that I never needed to refer to my notebook in court, made interviews a nightmare for suspects and could not forget a face, crime or clue. Badge numbers, car registrations, court cases, names and faces are all stored neatly on my mind’s infinite box of index cards and I usually have little trouble recovering them when needed.”
This passage on page 12 brings to mind the famous memory genius discovered by the Russian neuro-psychologist Alexander Luria, the synaesthete newspaper reporter whose memory gift was discovered by his boss after he explained why he never needed to take notes in a notebook. Luria gave him the name of S in the book that he wrote about the case; Mind of a Mnemonist. A couple of questions also come to mind on reading the above passage. Is it true? Who can tell? The author of the passage, which is an excerpt from the beginning of the book The Crime Factory, goes by the anonymous pen-name of Officer A, so checking the truth or probability of these quite extraordinary claims would have to be difficult. Another question – if Officer A’s memory really is as amazing as claimed, did it get that way by a natural gift or by training or a combination of both? One final question – is Officer A a synaesthete like the amazing S? I’ll have to continue reading to see whether any of my questions are answered. One thing that I can say about the book is that the bit about treating a case of severe bleeding in the leg utterly contradicts what I was taught in St John Ambulance first aid classes, so I think there is at least some dodgy information in the book.
I’ve found more interesting stuff on page 53. in which the author explains the pros and cons of having a “photographic memory”, and it it clear that it can cause a condition that is perhaps related to post-traumatic stress disorder in which ordinary visual stimuli can “trigger” the involuntary retrieval of visual memories of unpleasant scenes experienced in his work as a police officer. An example given is the sight of a stainless steel draining board triggering a visual memory of a dead baby after a post-mortem examination. I think I’ve written on the subject of PTSD before when reviewing the book The Shaking Woman by synesthete novelist Siri Hustvedt, and I recall that I speculated that PTSD might be connected to PTSD. After reading this book I’m all the more convinced, because the involuntary recall of traumatic visual memories described by the policeman seems to operate in the same way as synaesthesia, and is in many ways similar to my many experiences of having non-traumatic visual memories of scenes or faces evoked by visual or other cognitive triggers, which I have argued are a less-known types of synaesthesia. I’m not the least surprised that an extraordinary visual memory can have great advantages and disadvantages.
Don’t let me mislead you into thinking this is a book about neuro-psychology. It is basically an action-packed autobiography of a British detective who has worked in England and also in Perth, Western Australia. Western Australian readers will no doubt be shocked by the ugly picture that the anonymous author has painted of the police in Perth.
Amazon UK page for the book http://www.amazon.co.uk/Crime-Factory-Shocking-Front-Line-Detective/dp/1780575254
Sunday Times (WA) article by Anthony DeCeglie about the book and accusations made in it about WA police http://www.perthnow.com.au/news/western-australia/cop-spills-all-on-wa-police/story-e6frg13u-1226532858410
Cached text-only version of quite shocking April 2012 article from People magazine by Douglas Wight that is based on the book’s introduction http://webcache.googleusercontent.com/search?q=cache:http://www.people.co.uk/news/uk-world-news/2012/04/15/the-filth-explosive-revelations-of-police-officers-crimes-hushed-up-to-save-embarrassment-102039-23825713/&hl=en&tbo=d&strip=1