Tag Archives: Arts Festivals

Madame Lark returns to Perth for Awesome!

We recommend, for all ages.

http://www.awesomearts.com/events/madame-lark/

According to the downloadable program Madame Lark will also be appearing at UWA

http://www.news.uwa.edu.au/201709219958/awesome-festival-hits-uwa

A total of five free shows between two different venues spanning the dates September 30th 2017 to October 5th 2017 inclusive are scheduled, but note that she has NO SHOW scheduled for the Wednesday.

 

Sounds like synaesthesia in an arts event

Seeing Sound

Kaleidoscope Festival

Joondalup 

November 2016

http://www.kaleidoscopefestival.com.au/music/seeing-sound

 

That was a lark!

I would never have guessed how one might convert some synaesthesia into an entertaining stage show, until I saw the talented and highly amusing Madame Lark today with our youngest, at the 2016 Awesome Festival in Perth. It looks like tomorrow is your last chance to catch her free show, which has a lot in common with the legendary Kransky Sisters, but certainly more cross-modal.

In case you are wondering how synaesthesia related to the show, there is a photo of a 2014 performance of Madame Lark at this blog article to illustrate, but ya had to be there.

cropped-madame

Synaesthesia-related current and upcoming arts events in Australia

MONA in Tasmania will be revisiting the theme of synaesthesia in Synaesthesia+, a musical, visual and gustatory festival of the psychological phenomenon. It is happening this weekend and tickets will set you back quite a lot.

In Perth, Western Australia PICA have been hosting an exhibition of sound art, What I See When I Look at Sound, featuring the works of artists Lyndon Blue, Lauren Brown, Matthew Gingold, Cat Hope and Kynan Tan. This show will be on until the end of this month and it is free, or at least we didn’t get charged when we went to look and listen to it a while ago.

You might think from considering the title of the exhibition that it might have the theme of synaesthesia, and indeed the works are described each as a “synaesthetic offering”, but actually I believe that the theme of the exhibition, “the relationship between looking and hearing” is actually about binding, which is a broader term that can encompass normal or average sensory perception and also some types of synaesthesia that are similar to or more consciously-experienced variants of normal mental sensory perception. I think this exhibition is about binding more than it is about synaesthesia. If a multi-sensory arts event was “about synaesthesia” I’d expect to see lots of colour and hear music and maybe see or feel letters of the alphabet, or see calendars suspended in space, and maybe even experience smells and flavours. I might look at a “synaesthesia art” painting and as a direct result “feel” motion or “hear” rhythms.The painting Upward by synaesthete artist Vassily Kandinskii or the painting Broadway Boogie Woogie by probable synaesthete artist Piet Mondrian are both pretty clear examples of what I mean by synaesthesia art. I have written about both artists previously in posts at this blog.

Binding is a term used in psychology, the philosophy of mind, neuroscience and cognitive science. It is certainly related to synaesthesia and is central to scientific understanding of synaesthesia as a phenomenon in neuroscience, but it isn’t the same thing. As far as I understand binding is about the perception of the many different sensory characteristics of an object or an event as a unified thing or event. A clear example would be the installation Filament Orkestra by Matthew Gingold. It grabs and holds attention and causes reflection even though the idea is no more complicated than (simple) sound and (plain white) light being presented (or not presented) both at the same points in time. I found the effect to be quite reminiscent of flamenco dancing and tap dancing, which I guess shows how the sensory binding of sight and sound is an engaging effect that is used in a diverse range of art forms, high arts and popular arts, modern and traditional, even including firework displays. Have you ever had the experience of viewing from an elevated location a fireworks display that is happening a distance away, and the wind is blowing in such a direction that the sound waves never reach where you are standing, so that the sight has no soundtrack? It’s the strangest thing to see (and not hear).

According to some online festival programs, tomorrow (Saturday August 16th 2014), as a part of the Perth Science Festival which is a part of National Science Week there will be a free event in the Central Galleries at PICA titled Sounds Symbols and Science at 1.00pm, which will be “a special live concert of “Cat Hope’s End of Abe Sade in the What I See When I Look at Sound exhibition”” and this will somehow involve digital graphic notation, which is a concept that very much overlaps with many synaesthetes’ experiences of listening to music, including my own at times, so I’m happy to categorize this planned event as synaesthetic, which is more than enough to provoke my curiosity.

http://www.pica.org.au/view/Sounds%2C+Symbols+and+Science/1891/

https://www.facebook.com/events/686307634740051/

http://www.scienceweek.net.au/perth-science-festival/

http://www.scitech.org.au/events/1583-perth-science-festival

Synaesthesia on Radio National

Synaesthesia festival at MONABooks and Arts Daily. Radio National. August 15th 2014.

Brian Ritchie, Violent Femmes bassist and co-artisitic director of Synaesthesia, the music festival at MONA interviewed by Michael Cathcart this morning.

The Music Show. Radio National. 16 August 2014.

Tomorrow Andrew Ford will be talking with the co-artistic director of the Synaesthesia+ weekend arts festival at MONA Brian Ritchie and composer Matthew Hindson. MONA stands for the Museum of Old and New Art and MONA is in Hobart, Tasmania, Australia.