Embodied within sculptures made of metal

I’m regretting that I never found the time to write about the works displayed at Sculpture by the Sea 2012 at Cottesloe because I know I had in mind to try to explain why Highness by the Iraqi Australian sculptor Ayad Alqaragholli had such an immediate impact on the viewer and appeal. The sculpture reached high into the clear blue summer sky and sea air, depicting a scene of human acrobatic performance with a joyful mood. I noticed that our young child felt compelled to perform handstands on the grass near the sculpture after viewing the piece of art, and I wondered whether there was something deeply psychological about the way it is typically received by people, perhaps evoking some kind of mirror-neuron activity. I was also fascinated by the way in which the emotion of joy had been depicted in the piece using body-related metaphors of reaching, expansion and elevation. The emotion of joy had been embodied in the sculpture, so was this sculpture something to do with embodied cognition? I felt that it must have. Regardless of the theory that might be read into the scuplture, it was my personal favourite for that year. I just liked it. We enjoyed it.

http://www.sculpturebythesea.com/image-gallery/cottesloe.aspx?Year=2012&Location=Outdoor

Not long ago I spotted this local newspaper article by Tanya MacNaughton about Ayad Alqaragholli and another one of his works, Embrace, which is exhibited in this year’s Cottesloe outdoor exhibition:

http://www.inmycommunity.com.au/going-out/theatre-and-the-arts/Sculpture-by-the-Seas-new-season/7657457/

and his new sculpture seems to have a similar theme, and once again I thought it was clear that there is some kind of metaphorical thinking in his work which I feel is similar to embodied cognition:

“There’s so much freedom for young people even when they’re just walking down the street; I like to have people flying in my artwork to show how happy they are.”

Flying = happy

up = happy

down = sad

freedom = flying

repression = trapped

imprisonment = held down

This is a scheme connecting emotional states with spatial locations, and social situations and feelings with physical situations. It seems to be one or two kinds of synaesthesia, but could also be interpreted as embodied cognition because after all, it is human bodies that are depicted in Mr Alqaragholli’s sculptures.

I can’t wait to get to Cott Main Beach to see the exhibition. Can’t wait to see all the sculptures! Can’t wait to have a dip too and take some photos and see the sunset over the sea and hear the noise of the feral rainbow lorikeets roosting in the tall pine trees. I love summer in Perth!

 

Embrace by Ayad Alqaragholli

Embrace by Ayad Alqaragholli

Advertisements
Post a comment or leave a trackback: Trackback URL.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: